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With the fast-paced action saved for the courts, Elswit’s work is a warm hug of nostalgic bliss. Cinematographer Robert Elswit makes use of soft lighting and low saturation to visually sell the decade. Where Smith’s Gardner was quietly strong, his Williams is a force of nature his affection is both tough and soft, manifested in loud, proud and fierce unconditional protection.Īs any great biopic should, “King Richard” manages to transport its audience straight into ‘90s Americana - with nylon tracksuits and primary colors galore. In “King Richard,” however, his performance is distinct. He is no stranger to depicting fatherly love on the big screen, with his portrayal of Chris Gardner in “The Pursuit of Happyness” turning 15 years old this year. Smith, too, serves as a source of the family atmosphere encapsulating the flick. It’s like honey - soft, sweet and can’t seem to help but stick on to everything it touches.
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The love the two sisters hold for one another radiates from the screen, basking the film in its warm glow. Portraying Venus and Serena are Saniyya Sidney and Demi Singleton, whose on-screen charisma and chemistry push an already joyous film to positively heartwarming new heights.
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Between practice sessions and junior tournaments, the film is at its best when depicting the whole Williams family piled into their VW bus, quipping and squabbling as all families do. But for director Reinaldo Marcus Green, “King Richard” rejects the expected, depicting the Williams family as more than their tennis powerhouse duo.ĭespite what the sporty premise suggests, above all, “King Richard” explores the strength of familial love. A cinematic telling of the pair’s steady climb to global stardom could have easily cemented itself as the quintessential sports flick. Over the course of their nearly 3-decade-long careers, the sisters have redefined the tactical mind game of tennis and reshaped it in their image. To call the tennis careers of sisters Venus and Serena Williams “groundbreaking” would be a grotesque understatement. The thesis is clear - practice may make perfect, but family and determination make Williams. His Louisiana accent and brazen confidence voices over affluent suburbia, unrelenting in its belief of inevitable success. “King Richard” opens by following its titular character, Richard Williams (Will Smith), as he hawks his 78-page plan for tennis domination to the privileged and unsuspecting country club members.